Sound Recordist Teams
Complete sound departments for film, TV, and commercial shoots across Dublin and Cork and all of Ireland.
Here is how this works in practice. A sound recordist specializes in capturing audio in the field, whether recording dialogue, ambient soundscapes, or specific sound effects for a production. From Ardmore Studios and Troy Studios in Limerick to the wild Atlantic coast, they select appropriate microphones, manage recording gear, and monitor audio quality in real time. Clean field recordings are the foundation of a production's final sound design.
Here is the short of it. We connect you with sound recordists who bring both tech expertise and a trained ear to location recording across Ireland. Our network has pros skilled at Ardmore Studios, Troy Studios, and Screen Ireland-funded shoots, with documentary fieldwork from the Cliffs of Moher to the Wicklow Mountains, each committed to delivering pristine audio that boosts the final mix.
ACT 01
Capabilities
Sound Teams for Every Production
We assemble coordinated sound departments tailored to your production's format, scale, and specific requirements.
01
Feature Film Teams
- Sound mixer leadership
- Boom operator(s)
- Utility sound technician
- Playback operation
- Full department coordination
Complete Coverage
02
TV Production Teams
- Multi-camera sound mixing
- Rapid setup capability
- Episode continuity
- Studio and location teams
- Broadcast delivery standards
Broadcast Ready
03
Documentary Teams
- Flexible crew sizing
- Run-and-gun capability
- Self-contained operation
- Extended shoot endurance
- Vérité sound capture
Adaptive Teams
04
Commercial Teams
- Agency workflow experience
- Fast turnaround delivery
- Multi-spot efficiency
- Product and dialogue focus
- High-pressure performance
Efficient Delivery
ACT 02
Why Us
Why Choose Our Sound Recordist Teams
01.
Coordinated Teams
Here is how the picture comes together. We give sound teams who work together often on Ireland shoots, from Screen Ireland-funded features to global shoots at Ardmore Studios and Troy Studios in Limerick, making sure smooth joint work, set up workflows, and steady quality from day one.
02.
Right-Sized Departments
From lean documentary crews to full feature film sound departments. We match team size to your production's actual needs, not industry defaults.
03.
Rapid Assembly
24-hour team assembly for most needs. We keep relationships with sound pros across Ireland—from Dublin and Cork to Galway and Limerick—for quick response to production needs.
04.
Single Point of Contact
One booking handles your entire sound department. We set up crew scheduling, gear, and logistics so you can focus on your production.
On Location
Sound recordists on Sound Devices 833, Scorpio, Zoom F6, and Tentacle Sync feeding Atmos-spec Vikings, Banshees, Belfast, and Cartoon Saloon Oscar pipelines
Here is how this works in practice. Our Irish sound-recordist roster covers the senior bench that anchored Vikings six seasons at Ashford Studios Wicklow (the Norse-language dialog plus longboat-and-Atlantic-sea-spray weatherproof location-sound capture), Game of Thrones across Titanic Studios Belfast and Paint Hall (the multi-camera battle-and-courtyard production-sound that earned Primetime Emmy outstanding-sound-mixing nominations), Foundation across Troy Studios Limerick on Apple TV+ (the 320,000 sq ft stage Dolby Atmos-spec immersive capture). Penny Dreadful and The Tudors at Ardmore Studios Bray. The Star Wars Skellig Michael units (the UNESCO-island helicopter-resupply sound-record precedent).
Here is the short of it. Plus the recent Banshees of Inisherin Achill Island and Inishmore unit (Steve Fanagan's IFTAs Best Sound work that supported the 2023 many Oscar nominations), Belfast 2021 (the period 1969 Belfast location-sound), Normal People HBO Sligo-and-Trinity, The Wonder, and the An Cailín Ciúin / The Quiet Girl Gaeltacht Irish-language location-sound capture. The IFTAs Best Sound and the IATSE Local 695 equivalent SIPTU sound-craft circuit anchors the working roster.
Recording kit covers Sound Devices Scorpio (the 32-channel flagship), Sound Devices 833 (the 12-channel mid-tier standard), 888 and 788T legacy units. Plus Zoom F6 and F8n Pro for indie-and-documentary capture. Tentacle Sync E and Track E timecode-and-audio sync, plus Ambient Lockit ACL 204 master clocks. Microphone coverage Sennheiser MKH 8060 and MKH 416 shotgun, Schoeps CMIT 5U digital shotgun, DPA 4017c and 4018C shotgun. DPA 6060 and 6061 lavalier. Sanken COS-11D capsules. Plus Neumann KMR 81i and KK 8045 capsule for studio-quality location work.
Here is the breakdown. Wireless via Sennheiser Digital 6000 EM, Wisycom MCR42 MTP41, Lectrosonics SRc and SMV, plus Zaxcom NeverClip and ZMT4 transmitters. Cinela Pianissimo, Cyclone, and Leonard windshield-and-blimp systems for the Atlantic-coast cold-October weather-discipline. Section 481 32% tax credit qualifies sound-recordist spend through Irish-resident hires plus the 40% regional uplift on named-area shoots. SIPTU union compliance, EUR Eurozone with GBP NI dual-currency, plus bilingual EN / Irish (Gaeilge) Gaeltacht capacity.
ACT 03
FAQ
Our Sound Team Network
What positions make up a sound department?
Here is the breakdown. A full sound department mostly has: Production Sound Mixer (department head, operates recorder and mixing), Boom Operator (primary microphone placement), and Utility Sound/Sound Assistant (wireless management, cable runs, second boom). Smaller shoots may combine roles, while larger ones add positions like Playback Operator or extra boom ops.
How do you determine team size?
Here is what that looks like on the ground. Team size depends on production complexity—number of speaking roles per scene, wireless needs, camera coverage, and pace of shooting. We check your production's needs and recommend appropriate crew levels that balance coverage with budget efficiency.
Do your teams come with equipment?
We give flexible options: teams with their own gear packages, teams with rented gear we set up, or teams using production-given gear. Many of our mixers own full kits, while others prefer working with rental gear.
Can you provide teams for long-running productions?
Yes. We support ongoing TV series, multi-week commercial campaigns, and feature films with steady sound team coverage. We can keep crew scene matching across your production or arrange rotating teams for extended schedules.
What about replacing team members during production?
We can arrange replacement crew if team members become unavailable during production. We prioritize crew familiar with the project when possible and make sure proper handoff of production-specific info to keep consistency.
Do you provide sound teams for international co-productions?
Yes. Our sound teams are skilled working with global shoots filming in Ireland. They're comfortable with different workflows, global crews integration, and can communicate in English as well as Irish.
Related Services
Related Technical Roles
ACT 04 — On Set
Book Your Sound Team
Tell us about your production and we'll assemble the right sound department for your needs.