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St Patricks Cathedral - filming location in Ireland

SCENE 01 / ROTOSCOPING CLEANUP

Rotoscoping & Cleanup

Precision rotoscoping and invisible cleanup work that forms the foundation of seamless visual effects.

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Here is how this works in practice. Rotoscoping and cleanup are frame-by-frame post-prod processes that isolate elements, remove unwanted objects, and prepare footage for compositing. Rotoscoping traces precise mattes around subjects for extraction, while cleanup removes wires, rigs, markers, and other artifacts visible in raw production footage.

Here is the short of it. We set up rotoscoping and cleanup work with VFX facilities skilled in detailed frame-by-frame processing. Our team manages shot turnover, quality reviews, and delivery schedules to make sure your footage is cleanly prepared for compositing or presented free of distracting production artifacts.

Capabilities

Rotoscoping & Cleanup Excellence

We provide the essential foundation for high-quality visual effects through meticulous frame-by-frame work that isolates elements and removes unwanted artifacts.

01

Precision Roto

Frame-accurate masking with perfect edge quality.

Accuracy

02

Wire Removal

Invisible elimination of rigs and support wires.

Invisible

03

Paint Work

Seamless cleanup and artifact removal.

Clean

04

Tracking Integration

Smart workflows with motion tracking.

Efficient

Rotoscoping Services

    Cleanup Services

      Why Us

      Why Choose Our Roto Services

      01.

      Pixel Precision

      Frame-by-frame accuracy for perfect results.

      02.

      Efficient Workflow

      Smart techniques for faster delivery.

      03.

      Quality Control

      Tight checking at each stage.

      04.

      VFX Ready

      Prepared for seamless compositing.

      On Location

      Silhouette FX, Mocha Pro, and Nuke RotoPaint cleanup at Framestore Dublin, Egg Post VFX, Mac Guff, Yellowmoon Belfast, and Carnegie Studios for Game of Thrones, Vikings, and contemporary Irish features

      Here is how this works in practice. Rotoscoping and cleanup for shoots finishing in Ireland routes through the big VFX-subcontract bench at Framestore Dublin (the UK Framestore Dublin branch with the Game of Thrones. Doctor Who, and Harry Potter VFX lineage). Egg Post Dublin VFX. Mac Guff Dublin, The Mill Dublin, Boulder Media Dublin VFX, Brown Bag Films Dublin VFX, Yellowmoon Belfast (the GoT-era VFX support partner), and Carnegie Studios Belfast.

      Here is the short of it. The bench has handled the big rotoscoping and plate-cleanup load on GoT (rig removal across eight seasons of Northern Ireland photography, period-detail cleanup, crowd doubling, smoke and FX integration prep), Vikings (six seasons in County Wicklow and County Dublin. This has battle-scene clean plates, weapon and prop rig removal, period-detail cleanup), Star Wars Force Awakens and Last Jedi (Skellig Michael plate cleanup. Including monk-cell rig removal), Foundation Apple TV+, Banshees of Inisherin (Achill Island and Inishmore plate cleanup), Belfast (Branagh 2021.

      Belfast streetscape period-detail cleanup). The Cartoon Saloon Kilkenny cinema-animation pipeline (Wolfwalkers, Breadwinner, Song of the Sea, Secret of Kells — clean-frame preparation for 2D animation composite).

      Here is the breakdown. Roto and cleanup pipelines run BorisFX Silhouette (the cinema-rotoscoping standard with paint, tracking, and dispersion all in one tool). BorisFX Mocha Pro (the cinema-tracking standard with planar tracking and integrated roto. Specific for shots with steady surfaces and tracking marker removal). Foundry Nuke RotoPaint (the high-end node-based roto-and-paint integrated workflow). Adobe After Effects with the Mocha AE plugin (for the broadcast and commercial-cleanup tier).

      Here is what that looks like on the ground. Sessions handle ARRIRAW, RED R3D, Sony Venice X-OCN, and Blackmagic RAW originals at 4K, 6K, and 8K resolution with ACES-linear color running preserving full dynamic range and color fidelity through to final composite. Rig removal, marker removal, wire and rope removal, set-piece cleanup, period-detail (today's signage, telephone wires. Parked cars. Today's roof tiles) cleanup. Beauty work (skin smoothing, eyeline correction, prosthetic-edge cleanup), and crowd-replication preparation all flow through the same pipeline. Deliverables are EXR sequences for the downstream composite, integrated into the wider Framestore Dublin.

      Here is how the picture comes together. Egg Post Dublin, and Yellowmoon Belfast pipeline for delivery to Cineworld Ireland theatrical DCP. Coimisiún na Meán + RTÉ + BBC NI broadcast. Netflix Ireland + HBO Max + Disney+ + Apple TV+ + Amazon Prime + Sky Ireland streaming-sites masters.

      FAQ

      Frequently Asked Questions

      What rotoscoping software do you use?

      Here is the breakdown. We primarily use Silhouette, Nuke, and Mocha Pro for rotoscoping work. Each tool has strengths for different scenarios - Silhouette for detailed shape work, Nuke for integration with compositing, and Mocha for planar tracking-helped roto. We select the best tool for each shot.

      How do you handle motion blur in roto?

      Here is what that looks like on the ground. Motion blur needs careful attention to keep natural-looking edges. We match blur direction and intensity to the source footage, using specialized edge treatments and multi-frame techniques. The goal is seamless integration where the roto edges are invisible in the final composite.

      Can you work with difficult elements like hair?

      Here is how the picture comes together. Yes, we specialize in challenging roto including fine hair, fur, and semi-transparent elements. We use techniques including core mattes with soft edges, multi-channel keying help, and detailed hand work to achieve clean results that preserve natural edge detail.

      What's your typical turnaround for roto work?

      Turnaround depends on shot complexity and volume. Simple roto might be completed in hours per shot, while complex character work with hair and motion blur needs more time. We give detailed estimates based on shot breakdowns and can scale our team to meet deadlines.

      Productions in Ireland that need this often pair it with Visual Effects Compositing, CGI & 3D Animation Services, and Motion Graphics Services for full coverage. Most projects also draw on Virtual Reality Filming and Digital Cinema Package (DCP).

      On Set

      Ready for Flawless Prep Work?

      Let's create perfect mattes and clean plates for your VFX.