Skip to Main Content
Fixers in Ireland
Start typing to search...
Loop Head - filming location in Ireland

DEPT · SUPPORT ROLES ROLE · SECOND ASSISTANT DIRECTORS IRELAND

Second Assistant Directors

Experienced 2nd ADs keeping your Irish production on schedule from Dublin to Cork.

The 2nd Assistant Director on a Irish production manages call sheets, coordinates background artists, and handles the logistical details that keep the 1st AD focused on the shooting floor. In Ireland, 2nd ADs must navigate Irish employment law and SI 299 working time regulations for crew hours, coordinate talent across diverse locations, and manage the administrative requirements of productions accessing local film incentive programmes.

Through NeedAFixer, we connect you with English-speaking 2nd ADs who bring disciplined organisation and clear communication to every production day. Our network includes professionals experienced in managing features and series at Ardmore Studios, Ashford Studios, and Troy Studios, complex multi-location shoots, and international co-productions that Ireland's competitive incentive programme attracts.

ACT 01

Capabilities

Complete 2nd AD Services

From call sheets to cast coordination, our 2nd ADs handle the essential logistics that support efficient production.

01

Call Sheets

  • Daily call sheet creation
  • Schedule distribution
  • Crew notification
  • Cast coordination
  • Update management

Communication Hub

02

Talent Management

  • Cast scheduling
  • Makeup & wardrobe calls
  • Transport coordination
  • Holding management
  • Actor liaison

Cast Coordination

03

Background Artists

  • Extras coordination
  • Check-in management
  • Wardrobe flow
  • Holding supervision
  • Voucher processing

Crowd Control

04

Production Reports

  • Daily reports
  • Time tracking
  • Scene status
  • Cast & crew logs
  • Production paperwork

Documentation

ACT 02

Why Us

Why Choose Our Second Assistant Directors

01.

English-speaking Communication

Clear, accurate call sheets in the local language and English. Our 2nd ADs ensure seamless communication between international crews and local Irish departments, vendors, and background artists.

02.

Talent Coordination

Expert management of cast movements across Irish productions, from studio pickups in Dublin to location transfers across Ireland. Smooth talent flow coordinated with local transport and accommodation services.

03.

Background Expertise

Experienced handling of crowd scenes with coordination through local extras agencies in Ireland. Efficient check-in, wardrobe flow, and holding management for productions of any scale.

04.

Administrative Precision

Meticulous paperwork and reporting aligned with Irish employment law and SI 299 working time regulations and local film incentive documentation requirements. Accurate crew hour tracking and production accounting.

On Location

2nd ADs running cast-and-extras call-in, trailer-base management, and movement on Vikings, Game of Thrones, Foundation, and Banshees set-day operations

Here is how this works in practice. Our second-assistant-director roster covers the senior 2nd ADs who managed cast-and-extras call-in, trailer-base movement, and hair-and-makeup-and-costume schedule integration on Vikings six seasons at Ashford Studios Wicklow (Travis Fimmel and Katheryn Winnick era), Game of Thrones across Titanic Studios Belfast and Paint Hall (the multi-thousand-extra Battle of the Bastards crowd-day running precedent), Foundation across Troy Studios Limerick (the Apple TV+ 320,000 sq ft stage site). Penny Dreadful and The Tudors at Ardmore Studios Bray.

Here is the short of it. The Star Wars Skellig Michael Force Awakens and Last Jedi units (with helicopter-and-curragh cast-and-crew transport coordination), the Saving Private Ryan Curracloe Beach D-Day reconstruction (the largest extras-call-in in Irish-cinema history). Plus the recent Banshees of Inisherin Achill Island and Inishmore unit, Belfast 2021 Troubles-era riot reconstruction crowd days, Normal People HBO Sligo-and-Dublin university-and-house-party scenes, and the An Cailín Ciúin Gaeltacht family-and-school crowd days. Training routes through IADT Dún Laoghaire, Trinity Film, plus the Filmbase Ireland and Pulse College Dublin practical workshops.

Here is the breakdown. 2nd AD workflow runs second-call-sheet authorship (the day-out-of-day cast call schedule), movement-order distribution (trailer-base to set hair-and-makeup-and-costume timing). Background-extras coordination via Lock Casting. Lisa Zambra, and Movie Extras Ireland databases (the Irish-Equity-registered union day-player roster), driver-and-transport scheduling, plus the safety-officer-and-medic call-in integration. SIPTU union coverage on the working roster, with day-rate-and-weekly-rate per the Screen Producers Ireland (SPI) industry-collective-agreement. Bilingual EN / Irish (Gaeilge) capacity for Gaeltacht productions (the An Cailín Ciúin Best International Feature Oscar nom precedent confirms the Irish-language production viability).

Here is what that looks like on the ground. Section 481 32% tax credit qualifies 2nd-AD spend through Irish-resident hires plus the 40% regional uplift on named-area shoots outside Dublin-Cork-Galway-Limerick-Waterford. EUR Eurozone with GBP NI dual-currency on cross-border productions, English-first comms with Irish-Gaeilge Gaeltacht support, plus CTA-borderless cross-border UK crew-and-extras movement.

ACT 03

FAQ

2nd AD Expertise

What does a 2nd AD do?

The 2nd AD handles logistics and paperwork that support the 1st AD's set management. This includes creating call sheets, coordinating talent movements, managing background artists, completing production reports, and handling the administrative side of daily production.

How does the 2nd AD work with the 1st AD?

The 2nd AD works off-set to keep the 1st AD informed and supported. They manage cast and background ready for set, handle paperwork the 1st AD needs, and ensure logistical coordination that allows the 1st AD to focus on running the shooting floor.

What information goes on a call sheet?

Call sheets include shooting schedule, cast calls, crew calls, location addresses, parking information, department notes, weather forecasts, safety information, and any special instructions relevant to Irish production requirements.

Can you handle large background calls?

Yes, our 2nd ADs are experienced with large crowd scenes across Irish productions. They coordinate with local extras agencies and manage efficient check-in, wardrobe flow, and holding logistics.

What production reports do 2nd ADs complete?

2nd ADs complete daily production reports documenting scenes shot, cast work times, background numbers, hours worked, and any incidents. These reports are essential for production tracking, accounting, and incentive compliance documentation.

Do your 2nd ADs speak English?

Yes, our 2nd ADs in Ireland are fluent English speakers with strong local language skills. They communicate clearly with international cast and crew while coordinating with local Irish departments, extras, and authorities.

ACT 04 — On Set

Need a 2nd AD?

Tell us about your production requirements and we'll connect you with experienced 2nd ADs.